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Technology has enabled ever increasingly detailed images but my aim is to reverse this process by sidestepping ordinary quality photographic and replicating procedures to make commonplace images that are deconstructed so as to be less recognizable so that the degree to which images deviate from their original formats can address issues of identity and recognition. Works in this group are printed on archival paper then mounted on half-inch MDF. All are issued in editions of five or less. This series was started in the mid-2000s but new images are added periodically.